Saturday, May 30, 2009

Oxfam Shoot


Oxfam is currently working on publishing a mini-magazine devoted to environmental issues and ideas about sustainability. I helped out on the shoot today, assisting the stylist with all manner of things. The theme was eco-fashion encouraging awareness of ecological issues not only in regards to fashion, but with all aspects of our lives. Oxfam will be publishing this magazine and distributing 20,000 copies through Avant Card, which will be available at your local cafes and other public outlets. The entire copy will also be published online for those who aren't able to grab one.

The shoot turned out great except for several mishaps in dealing with the weather; eternal cloud cover and lack of sunlight, constantly raining on and off and the prospect of the looming sunset. Our initial plan to shoot at Centennial Park went downhill with intent to shoot at specific sites; the entire team was so disappointed particularly because we wanted to shoot at this beautiful flight of stairs that never made it to film. Eventually changing locations and shooting undercover (and outside when the weather permitted) we finished the day.

Here are some of the shots I took of what was going on.

Sunday, May 17, 2009

Vogue Paris March 09





I bought this issue of Vogue Paris (which unfortunately I can barely read a word of) which is dedicated to Chanel. There are some amazing editorials in here which fortunately don't need any translation. Love this shoot with Daria Werbowy!

Images are from Vogue March 2009

Friday, May 15, 2009

Hail Christophe Decarnin

It was only today that I realised how much we owe Christophe Decarnin. I was always aware that Balmain had such a huge impact on current fashion trends but it was only now that I realised to what extent. I went to Fashion Weekend today and I was suddenly aware that so much that was on sale and so much of what people were wearing have been influenced by the innovation and style of Decarnin's collection. I went to Fashion Weekend today and recognised that a lot of current fashion trends have been heavily inspired by the international runways, which is slightly disappointing because Australia is known for its unique take on fashion. My sister picked up a pair of denim shorts at one of the stores at the event which has rows of square studs on them reminiscent of the black leather pants from Givenchy A/W 08 collection. Harem pants are also another key item that Decarnin pioneered into a mass global trend. This item has filtered down eventually arriving in every chain store and are prominent everywhere, just take a look.

Wednesday, May 13, 2009

British Vogue March 09



This issue of British Vogue features two standout editorials. The first is titled 'The Snow Queen', an ethereal and exquisite shoot, and recounts the mythological tale of the Three Graces. 'Chock's Away!' is a spring shoot that was influenced by Forties glamour and elegance, inspired by a story of a loved one's safe return from war. Lily Donaldson has the perfect "classic beauty" features that is required for this shoot.

Images are from British Vogue March 2009

Shine On


To celebrate the 10th anniversary of Sass & Bide, the dynamic duo have asked ten of their celebrity friends to "let their creativity shine" through works to auction off to benefit the lives of ten children. Under the title of 'The Shine Collective', the collection features pieces by various artists, actors, models and musicians and a piece by the designers as well. I particularly like the photograph "Sun-shine" by Sam Taylor Wood and the "Project Shine!" lamp by Mischa Barton.

Images are from Vogue Australia June 2009

Karen Walker Believers

Believers Sweetheart Dress in Spiderflower Print

Bishop Sleeve Dress in Paisley Mosaic Print

Short Sleeve Shirt Dress in Ivory Sheer Silk Floral

Some dresses on my wishlist from Karen Walker's Believers Collection.

Photos courtesy of www.karenwalker.com

Wednesday, May 06, 2009

MET Ball 2009


Kate Moss and Marc Jacobs

Marion Cotillard and John Galliano

Lou Doillon and Olivier Theyskens

Helena Christensen and Zac Posen

Isabeli Fontana and Francisco Costa

Alek Wek

Catherine McNeil and Roland Mouret

Leighton Meester

The annual Costume Institute Gala is probably one of the most exciting events of the year, merely eclipsed by awards season. The ball is held annually by US Vogue and is always an extravagant affair. The theme of the night was 'The Model as Muse: Embodying Fashion', and was hosted by uber designer and model Marc Jacobs and Kate Moss. Some fashion favourites were Marion Cotillard and Lou Doillon in Nina Ricci - the French do it best. Other fashion hits were Alek Wek who wore Emanuel Ungaro - the fuchsia set off her skin tone perfectly, and Kate Bosworth who went gothic in a lace Stella McCartney and red lipstick. I really did not understand Leighton Meester's outfit by Louis Vuitton. I appreciate that she wanted to be a little different, but there was just too much going on. Some looks work solely on runway or even on print but I don't think they necessarily translate otherwise...maybe if she lost the tights. Hit or miss?

Photos courtesy of www.style.com

Tuesday, May 05, 2009

Manning Cartell Tickerbell Dress


How pretty is this Manning Cartell dress from their Autumn/Winter 09 collection! I noticed it a little late considering the summer collections have just shown but I don't usually shop there...but maybe I should more often! It's called the Black Tickerbell Dress (why not Tinkerbell?) and retails for $599. The repeated scallop pattern with beading on each edge makes it look like it was taken right out of the 20s! All that's needed is a string of pearls and a feather in the hair for the look to be complete!

Photo courtesy of www.manningcartell.com.au

Tights by Cocorosa

Cocorosa wearing the embellished tights
Photo by Cocorosa

I won a pair of beautiful embellished tights! The designer is Cocorosa, you may be familiar with her blog and she is also a Chictopia Style Icon. Her blog is one of my favourites and I was just admiring them yesterday and noticed the giveaway but I figured I'd try not expecting to win! I checked the site later  again that day and was so surprised! I'm so excited I really can't wait to wear them and I'm already fantasising about what to wear them with. I just hope I do them justice! With permission from the designer, I will post a picture of me wearing them. 

Monday, May 04, 2009

Audrey Tautou for Chanel


Audrey Tautou is replacing Nicole Kidman as the face of Chanel No. 5 who first appeared for the fragrance in 2004. While she is definitely well suited to represent the brand as she is to play Coco in an upcoming biopic called Coco Avant Chanel (Coco Before Chanel) I think she - and the fragrance - are more likely to appeal to a younger market. Personally, I think Audrey should have replaced Kiera Knightley as the face of Coco Mademoiselle - after all this fragrance was a celebration of Coco herself; Coco also wanted to be called 'mademoiselle' instead of 'madame'. Jean-Pierre Jeunet directed Audrey in the commercial (his muse as Nicole is to Baz Luhrmann) which will be launched tomorrow, and apparently actual parts of the Orient Express were shipped from Venice to Paris for it. I have yet to see the new ad but the 'film' Luhrmann directed was so sensationally beautiful I don't see how it can be topped. The film Coco Avant Chanel is loosely based on a Edmonde Charles-Roux biography which I once picked up but unfortunately never read and is set to be released on June 29 in Australia (I can't wait to see it!).

RAFW Day 5


I'm not really a big fan of those who showed on Day 5 but I did want to look at Michael Lo Sordo because I remember some of his work from The Graduate Store. There were some architectural pieces which were quite interesting, but the main focus was on basic silhouettes - either form-fitting or loose and flowy - that demonstrate wearability throughout the year and season after season. Ruffles were used everywhere; Lo Sordo's version of the little black dress was both charming and flirtatious. One thing is very clear - acid brights especially in blocks of colour are big for summer. Different jewel tones clashed with each other especially on an intensely-hued rainbow-print dress which is eye-catching to say the least. Perfect pool-side glamour.

Photos courtesy of www.vogue.com.au

Sunday, May 03, 2009

RAFW Day 4


Romance was Born was one of the best and most raved about collections of the season. It was everything a collection ought to be: beautiful, exciting, and adventurous. So much detail went into the execution of the show - from the stunning underwater backdrop to the ethereal hair and makeup, and the eccentric octopus headdress - everything was phenomenally rendered. The clothes were so unique yet strangely wearable. They featured structured bodices, floaty skirts with gossamer, crochet, lace and pom-poms (a RwB trademark) in a palette of pretty pastel colours that is reminiscent of the infinite colours of the underwater world. Everything was playful and sublime; all the elements were effectively merged without being indulgent. The collection was so divine I think I read somewhere that Kirstie Clements proposes that they should show on the Paris runway where they will be appreciated and embraced. I look forward to that day.

Karla Spetic S/S 09/10

Karla Spetic S/S 09/10

Chloé Spring 09

Karla Spetic's collection was feminine and polished, some of the dresses being quite classic and will be able to be worn for many more seasons. The swimsuits and the draped blouses and dresses in light silk fabrics will be a big hit over the summer. But I can't help noticing a lot of appropriation from the past Spring 09 collection - particularly Hannah McGibbon's (Chloé) use of scalloping. Even the collection's colour palette (neutrals with white, black, blush, beige and a sky blue) were similar to Chloé and Stella McCartney.

Photos courtesy of www.vogue.com.au

RAFW Day 3

I was actually a bit disappointed with Marnie Skillings who is one of my favourite designers. I love her use of clashing prints and colour. Unfortunately this whole collection had basically a muted colour palette and not as many prints as I was used to. I think I was expecting an explosion of colour like last summer when she used the lino prints of Bruce Goold. There was also a lot of all-black looks that I thought were a bit average and could've been any other designer. There was however one print that caught my eye that looked like splashes of paint in orange, yellow, blue and black. Nevertheless, the collection featured feminine blouses and dresses in beautiful fabrics that I'm sure are going to be popular anyway.

I loved Jayson Brunsdon's collection, one of my favourites of the week. He's one of those designers that I unwaveringly admire and love every season, but don't particularly own much of - at least yet. The collection was very Jayson with a lot of draping and subtle use of bows. I thought the colour palette was beautiful and consisted of neutrals (chocolate, blush, beige, gold, cream and mint) and the fabrics enhanced them nicely. I really wanted to wear a lot of those ensembles particularly the silk draped shirt dresses and the pleated skirts. I thought the shirts with the peplums were adorable and had a delicate 40s feel to them. You know what's refreshing - he always does his own thing and its really obvious in his collections. He doesn't need to look at the international runways for inspiration. I already can't wait to see what's next!

Photos courtesy of www.vogue.com.au

RAFW Day 2

Day 2 opened with Dion Lee who got everybody talking. The collection was praised for its unique architectural and cut-away pieces. There was a strong emphasis on tailoring, maintaining throughout the collection a consistent colour palette, not to detract from the design details. The structural garments were very creative yet versatile enough to wear consistently season after season especially the finely cut blazers and soft tanks.

Zimmermann continued to do what they do best: swimsuits and colourful prints. Their swimsuits however tend to get more and more adventurous in cut and design as the seasons go on, which is great to avoid looking old. The collection was quite feminine and pretty, focussing on sheer, flowing chiffon dresses and clashing prints. This label is very important to Australian fashion as when summer rolls around almost every girl is decked in some kind of Zimmermann. This summer will be no different.

Antipodium's collection was a bit of a surprise to me at first because the way everything was styled: the clothes, the accessories, the makeup, was all a lot to take in when first looked at it, but when I thought about it the pieces were actually very wearable. Fabrics, prints, silhouettes were all contrasted; sometimes at the same time with more than one model on the runway. The collection was a contradiction of the feminine and the edgy due to the grungy styling, and it was just a bit kooky. But they're known for being quirky and fun, and that's exactly what it was.

Photos courtesy of www.vogue.com.au

The Escape

I'm so buggered, I managed to get two tickets to The Escape an event held by The Grand Social to celebrate Fashion Week. Unfortunately I couldn't go because I was being flattened by a very large, very heavy pile of uni work, an 'Escape' would have been exactly what I needed. The event was invite only and open to mainly editors, models and designers. Over 30 designers rsvp-ed and some of those who attended included Ruby Smallbone, Alice McCall and Kirrily Johnston.

Kirrily Johnston for Maxshop



This season Kirrily Johnston created a capsule collection for chain store Maxshop inspired by a trip to Japan. Currently there's up to $100 off some of the eight pieces available. My favourites include the Nobility Jacket and Nobility Pant, but it's the tops and dresses that are the standout pieces which can be worn in various ways. The colours used are mainly designed with winter in mind: black, greys, plum and chartreuse. The common thread is the particular use of draping, which is accentuated by the fabrics: silks, wool blends and modals for comfort.

In a totally unrelated point: Doesn't the model look like Tiiu Kuik?

Photos courtesy of www.maxshop.com